Motion Design
- Semester: Fall 2026
- Instructor: Michael McDermott
- Location: Art and Design Building, Room 1020
- Timing: Mondays from 1:30–4:10pm
- Office Hours: Scheduled here
Syllabus
delivery & timing
We will meet once a week in person for two hours and forty minutes in the Art and Design Building. The classes are required and during our sessions we will discuss work, complete demos, and further our design knowledge. The class is scheduled to run for 15 classes and you can expect to work for 6 hours outside of class each week.
prerequisites
AVT 217: Intro to Web Design and AVT 311: Graphic Design Principles and Methods
course description
Motion Design introduces the theories, techniques and practices of motion design and the integration of design, image, sound, video, and animation.
overview
This is not a software training course. Although there will be occasional in-class software demos, a majority of the software skills will need to be self taught. Through the exercises, in-class workshops, projects, and critiques the students will learn the fundamental principles of time-based design grounded in traditional design principles.
Participants should finish the course with a working knowledge of motion design principles and methods as well as a better understanding of the production side of the medium.
objectives
- Improve general design skills
- Understand the process of planning for motion
- Understand the technical aspects of motion design
- Analyze how motion can enhance a narrative
- Understand how static design principles apply to a motion-based medium
textbook
There is no textbook for this course.
programs
Adobe CC, specifically After Effects, Illustrator, and Photoshop.
content
This course consists of exercises, projects, demos, discussions, and critiques. The exercises are to familiarize students with specific concepts and ideas and the projects are to synthesize the concepts and ideas we will cover.
discussion of work
You will need to take an active role in both the presentation and discussion of your work. We will review projects in a variety of ways and you are expected to be able to talk and write about your own work and give feedback to your peers about their work. The ability to discuss your work and other student’s work is a very important part of your education at Mason. Use this class to improve on those skills.
communication
Your ability to communicate with me is of prime importance in this course. If you are going to be absent, late, or not have your work, it will be your best interest in communicating those things to me in advance. I do not need to know your reasons for being absent, late, or not having your work but I do need to know. A simple, short email will be fine.
The same goes for if you are struggling in this class or having other issues that are hindering your ability to complete work in this class. The more you keep me in the loop the more I can help you and adjust as needed.
attendance policy
Four absences, regardless of excuse, will be an automatic failure of the class. After the first absence, each class you miss will lower your engagement grade by 25 points unless you let me know you won’t be in class before class and make an effort to cover what you missed in class. For example, if we had a critique in class, you should probably schedule office hours to get some feedback on your work.
After the first late arrival, each class you are late to will lower your engagement grade by 10 points unless you let me know you are going to be late before class. Exceptions to this policy are for people actively communicating with me prior to the fourth absence.
engagement
Your engagement in this class will affect your final grade (and, by extension, the quality of your work) for this course. Your attendance is tied to this grade along with your ability to actively take part in this course in the following ways.
- Attend class meetings and be on time.
- Create things and be prepared to show them on time.
- Make things thoughtfully, intentionally, and with intensity.
- Meet all deadlines for handing in work and process.
- Actively participate in critiques both in class and out of class.
- Be curious about making things and the things your classmates make.
- Care about yourself & your work, your classmates & their work, and this class.
grading
Grades will be based on engagement (25%), exercises (25%), and projects (50%).
engagement (25%)
This percentage will be based on your engagement in the class which is explained on above. Attend class and be engaged in this course and its content throughout the semester and this should be an easy 25%.
exercises (25%)
Exercises are meant to be quicker, skill building tasks that improve your design knowledge.
projects (50%)
Each project will generate two different grades. One grade will be based on your ability to submit the required, weekly checkpoints for the project. These weekly checkpoints use a simple rubric based on your timeliness, improvement, and completion. The second grade will be based on the final project you submit and has a more extensive rubric. At the end of the semester you will have 6 total project grades that are all weighted equally for this 50%.
late work
Late work will be accepted for three weeks after a deadline with the exception of the final project which will be due at the end of the semester. There is a section on the rubrics showing how late work is factored into the assignment grade.
rubrics
Rubrics are used to grade exercises and projects. The rubrics are tied to each submission on Canvas. The rubrics allow you to understand how work is graded and to reference while working to self-evaluate.
campus closure policy
In the event that campus is closed due to weather or other emergency, this class will meet on Zoom to cover the material able to be covered virtually unless otherwise notified. If class moves to a virtual session, normal attendance and late arrival policies apply.
ai policy
Generative AI tools may be used in this course with clear guidelines. Students must disclose when AI tools are used and how they contributed to the work. Misuse may be treated as a violation of academic standards.
schedule
Most days we will meet for the entire time but some weeks we will have individual meetings or end early. Some classes will be work days so make sure to bring things to work on each class. Unless otherwise specified, all work is due at the beginning of class.
A note—Time management is an important skill to master and should be worked on all your classes. Staying up all night working is not a badge of honor, it typically means you didn’t budget your time correctly. Staying up all night isn’t healthy and making sure you are keeping yourself healthy is your first priority.
The schedule below is outline of what we will be covering this semester. It is subject to additions, subtractions, and shifts. The most current version is on the class website.
class 1
- Course Overview, What is Motion Design?
- Photoshop: gifs
- P1: Moving Poster
- E1: dot gif
- WM: Best Web Loading Animation
class 2
- Planning for Motion, The Moving Poster
- E2: Making a Plan
- WM: Worst Lower Third
class 3
- After Effects: Tour, PTSR
- E3: Poster Animation
- WM: Movie or TV Title Animation
class 4
- 12 Principles of Animation
- After Effects: Null Opjects, Parenting
- E4: Sound and Motion
- WM: Video Game UI Animation
class 5
- Cuts and Transitions
- After Effects: Graph Editor
- E5: Type in Motion
- P2: Obstructions
- WM: Transition
class 6
- After Effects: Animating Shapes, Trim Paths, Mask and Mattes
- E6: Bouncing Ball
- WM: Simple Footer
class 7
- Logo Reveals
- After Effects: Q&A
- E7: Logo Reveal
- WM: Animated Logo
class 8
- Title Sequences, Kinetic Type
- After Effects: Expressions
- E8: Wash, Rinse, Repeat
- P3: Something in Motion
- WM: Text Reveal
class 9
- Work Day
class 10
- Work Day
class 11
- Work Day
class 12
- Work Day
class 13
- Work Day
class 14
- E9: Stop Motion
class 15
- Fill Out Course Evaluations
- Final Critique
projects
Project 1: Moving Poster
Posters are traditionally a static medium but with more and more poster displays going digital and AR becoming a more widely available tool, posters can come alive. You will design a moving poster for a future event that uses AR to transform the printed version into motion.
Project 2: Obstructions
Obstructions in design can seem like a burden but being able to use them as a creative starting point is key. You will create a short video and then create the same video two more times. Each new video will be created using a series of obstructions chosen in class.
Project 3: Something in Motion
Project three will give you the option of coming up with your own project or choosing from one of the projects I have listed. The project will be a culmination of the skills and concepts you have learned throughout this course.